Aaja Nachle 2007


Aaja Nachle 2007

Indian Hindi Movie
Starring :

Madhuri Dixit ....
Kunal Kapoor ....
Konkona Sen Sharma ....
Vinay Pathak ....
Jugal Hansraj ....


Director : Anil MehtaProducer : Aditya Chopra
Music Album : Aaja Nachle


Aaja Nachle : (Download Latest Hindi Movie Aaja Nachle Online Free)







Aaja Nachle (English: Come Let's Dance) is an upcoming Bollywood movie to be released in 30 November 2007. The film is highly anticipated because it stars Madhuri Dixit in her first film after six years, alongside Akshaye Khanna, Konkona Sen Sharma, Kunal Kapoor and Agent J in pivotal roles.
After nearly a decade, an unexpected phone call shakes Dia (Madhuri Dixit) out of her dance rehearsal in New York. Makarand (Darshan Zariwala), her teacher, her guru, is dying and she must return to Shamli town. The town where she grew up, the town where she learnt to live and to dance. Also the town she left on an impulse, severing ties with her parents and her people. It is a poignant and troubled return; not only has her guru passed away but the institution that he so lovingly nurtured is in decay and under threat of demolition. Ajanta theatre, the once vibrant hub of the community, the place where Dia’s fondest memories are embedded must now be brought down because the local political authorities feel it a waste of prime real estate. With the help of Doctor (Raghubir Yadav), the caretaker of Ajanta, Dia sets out on a mission to prevent the destruction and resurrect the spirit of Ajanta. In an atmosphere of mistrust, ridicule and active hostility, Dia picks up the gauntlet and agrees to achieve the near impossible task of putting together a theatrical production. She must also ensure that every member of the production is from Shamli town. She has only two months to prove her point or the bulldozers will be waiting.
In this context begins her tumultuous journey of dealing with small town prejudices, encountering the resentment of the powerful contractor, the cynicism of the local political powers, resolve the delicate tensions of inter personal relationships and rally her motley team of non starters - a low level muscle Imran (Kunal Kapoor), the local tomboy Anokhi (Konkona Sen Sharma), local ex-MLA Chaudhary Om Singh (Akhilendra Mishra), a vulnerable tea stall owner Mohan Sharma (Ranvir Shorey), a responsible government official Mr. Chojar (Vinay Pathak), a struggling insurance agent Sanjeev Mehta (Jugal Hansraj), the town vagabond Dhankuber (Nowaz) and a host of others. She must create in this chaos in order to save Ajanta... in order to preserve what her guru so lovingly nurtured. She must create art in order to preserve what she believes is the soul of society. The stage is finally set... Will it work? Won’t it?
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Saawariya 2007



Saawariya 2007

Language: HINDI
Genre: Romance
Director: Sanjay Leela Bhansali
Producer: Sanjay Leela Bhansali

Cast: Ranbir Kapoor, Sonam Kapoor, Salman Khan, Rani Mukherjee

Music: Monty Singh
Lyrics: Sameer, Nusrat Badr
Editing: Sanjay Leela Bhansali


Screenplay: Prakash Kapadia, Sanjay Leela Bhansali
Art Direction: Omung Kumar

Saawariya review:
'Saawariya' -Falls short of expectations

From a bird’s eye view, the dream world of Sanjay Leela Bhansali’s Saawariya looks like a vague cubist painting, with houses in hues of blue and green. And it is a world where the sun doesn’t shine. Not at least in the course of the story.

"Saawariya" is a timeless story of two young star-crossed lovers whose passions almost consume their will to the brink of self-destruction. In this eternal tale of an ode to romance, stand two lonely souls whose childlike innocence and candour only obscures their inner turmoil, anger, anxiety and desperate wait for love.
Based on Fyodor Dostoevsky’s short story ‘White Nights’, ‘Saawariya’ is like a dark and surreal fable that enchants you with its visual beauty, but doesn’t touch you where it matters the most – heart. And the reason for this is that Sanjay Leela Bhansali gives more importance to creating the right ambience rather than capturing the essence of the story.
To put it briefly, the film’s beautiful form obliterates the inherent love and pathos in the story. And ‘Saawariya’ ends up as a unique study in the art of cinematography, but an average film that falls short of providing what it promised.
The anonymous town of ‘Saawariya’ is like a dream world where houses and buildings stand beside wide canals with gondolas rowing by. Ranbir Raj ( Ranbir Kapoor ) , an amateur singer, cycles in straight into a red light area and sings a song that brings some cheer to the prostitutes. That is his character. A smiling handsome lad with hair falling over his forehead, he brings smiles on the faces of those he meets. Among them is prostitute Gulab ( Rani Mukherjee ) who begins to like, even love, him in the course of the story.
But Ranbir is struck by love for a gravely dressed mysterious girl whom he meets atop a bridge. He tries to cheer up the sombre girl, but only manages to make a faint acquaintance of her. She is Sakina ( Sonam Kapoor ).
In his next meeting with Sakina, our besotted hero comes to know that she is waiting for someone, a man (Salman Khan) she loves, a man who promised to return on the night of Eid.
The story of ‘Saawariya’ is about the test of love, about the pain of unrequited feelings and about the women in waiting. Be it Ranbir’s landlady (Zohra Sehgal), be it Sakina’s blind mother or be it Sakina herself, everyone is waiting for someone.
The film could have been a cinematic masterpiece if Bhansali had focused more on developing the characters in depth rather than resorting heavily to their dramatic presentation. The silhouette of a veiled girl waiting on a bridge is appealing to the eye, but it doesn’t make your heart flinch.
Music, by Monty, could have been another strong point of the film. But there, too, is overkill. Too many songs and heavy background score dominate the story.
Among the newcomers, it is Ranbir who handles his role with confidence. Sonam, though undoubtedly gorgeous, seems ill at ease with her part. In one close-up shot just after her introduction, her face – supposed to express sadness – is completely bereft of emotion. In the second half, however, she manages to sink her teeth better into her character.
Ranbir performs much better for a debutant. He is the quintessential charming boy who keeps smiling and tripping and unexpectedly showing a gift of gab.
Salman Khan plays his usual self while Rani is partly impressive. It is Zohra Sehgal, the ‘now-stern-now-mellow’ landlady who wins your heart over. Alas, she is kept only on the margins.
Despite the flaws of ‘Saawariya’, Sanjay Leela Bhansali ought to be praised for his technical finesse and his sense of visual representation. The look of the movie will be a subject of discussions and debate for students of cinematography and art direction. And it is for this overwhelming visual appeal that I chose to give the film more than two stars. Otherwise, ‘Saawariya’ is a film with emotional moments few and far between.

Rating: **1/2

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Om Shanti Om 2007


Om Shanti Om 2007 - Indian Hindi Movie

Starring:

Shah Rukh Khan .... Om Prakash Makhija / Om Kapoor
Deepika Padukone .... Shantipriya / Sandy
Arjun Rampal .... Mukesh Mehra Kiron Kher .... Bela Makhija
Shreyas Talpade .... Pappu Master

Director : Farah Khan
Producer : Gauri Khan Music Album : Om Shanti Om


Om Shanti Om review:
'Om Shanti Om' -A perfect Diwali treat

Farah Khan’s film Om Shanti Om perfectly matches the festive spirit of the season. The movie is one of the best wholesome entertainers we have seen from Bollywood this year. The best part about OSO is that it doesn’t pretend to be cerebral. Its humour, its corny sentimentality, and its music combine together to make a perfect recipe to drive your blues away. On top of it are superb performances by the starcast helmed by the endearing Shah Rukh Khan who does the most corny things with such conviction that you end up liking them. Be it dressing like Rajnikant in the cowboy ‘Murugan’ avatar and fighting with a fluffy tiger. Or rescuing his ladylove from a raging fire and getting scorched above his butt. To entertain the audiences, SRK doesn’t mind making himself the butt of a joke. And Farah Khan doesn’t mind going over the top if that brings a smile to your face. Yes, that is the intention of OSO – to entertain. And it succeeds in it in flying colours. That the film is a hearty tribute to the cinema of 1970s becomes clear from its opening scene – Rishi Kapoor , all dressed in silver, dances to the song “Om Shanti Om” from Subhash Ghai’s film Karz . In the crowd is Om Prakash Makhija (SRK) one of the junior artists shooting for the song along with his sidekick Pappu Master ( Shreyas Talpade ). Om has dreams in his eyes – dreams to become a superstar someday. And he is in love with popular actress Shantipriya ( Deepika Padukone ), to whose poster he often talks his heart out. At home, Om’s mother ( Kiron Kher ) is sure her son’s dreams would come true one day. Well, they almost do. Our smitten hero gets introduced to his ladylove through a series of remarkable incidences. Om’s love story seems headed in the right direction, but then, comes a revelation. There is another man in Shantipriya’s life and his intentions are not noble. Without giving the story away, it can be safely said that Om and Shantipriya’s love story remains incomplete. It takes second birth and a new life for Om to finally settle the score with the man who took away his love. ‘Om Shanti Om’ is packed with one slammer of a scene after another throughout its running time. With its sheer joie de vivre, the film engages you and allows you no spare thought to pick plot-holes from a rational point of view. The first half of the film is simply superb. The tongue-in-cheek spoofs on the superstars of the 70s – be it Manoj Kumar, Dev Anand or Dharmendra – are extremely funny. The chemistry between Om and his friend (Shreyas) has many charming moments. And it rends your heart to see how Om Makhija’s dreams are shattered and yet how he proves to be a true lover till his tragic end. Lekin film abhi baaki hai, mere dost. The second half doesn’t see much revival of the love story, but it does pack in a good dose of suspense and drama as the reincarnated Om Kapoor recalls his previous life in flashes and sets out to complete the story left incomplete in previous life. In OSO, Shah Rukh Khan proves that he isn’t a superstar for nothing. His acting in the movie borders on a deliberate, filmi histrionic, in keeping with his character. SRK also proves his flair for comedy in many scenes – such as the cowboy Murugan sequence, or the opening song. Deepika Padukone is very photogenic and she emotes well too. She has all the qualities of a superstar in the making. In the side-roles, Shreyas Talpade and Kiron Kher are superb. But what is surprising is Arjun Rampal ’s brilliant portrayal of a cunning producer. Rampal is terrific in the film’s second half, when the ugly past catches up with his character. Pakistani actor Javed Sheikh, as the reincarnated SRK’s father Rajesh Kapoor, is commendable. His performance is several notches better than what we saw of him in Namastey London . Music by Vishal-Shekhar is another strong point of OSO. “Aankhon Mein Teri” plucks notes at your heartstrings. “Om Shanti Om” may have an average melody but the thirty celebrities in the song keep you glued to the screen. Farah Khan has a very unique style of filmmaking. She follows no set formula and is not afraid to try anything and everything wacky just for the sole purpose of providing entertainment. She makes SRK dress up as a superman, as a dacoit, and as a gaudy cowboy. And she presents Akshay Kumar and Abhishek Bachchan in little cameos that will have you in splits. Apart from the content, OSO is also a technically sound film. The cinematographer doesn’t try too many stylistic shot compositions but yet captures the gist of the story. The editing by Shirish Kunder is slick and tight. And the special effects – transposing Deepika Padukone with the likes of Sunil Dutt, Rajesh Khanna and Jitendra – are of super quality. To put the curtains down, I wish to say that OSO delivers what it promises. It makes you laugh and makes you cry. I came out of the theatre with a broad smile on my face. And ‘Om Shanti Om’ sounded like the perfect mantra of this Diwali for me. Rating: ***1/2


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Jab We Met


Jab We Met 2007 Romance Hindi Movie

Starring:
Kareena Kapoor …. Geet
Shahid Kapur …. Aditya

Director : Imtiaz Ali
Jab We Met Review -An Entertaining Love Story

Imtiaz Ali’s movie ‘Jab We Met’ has all the trappings of a romantic entertainer.
The film doesn’t boast of a very unique story. What makes it interesting is the way it has been presented by Imtiaz Ali . ‘Jab We Met’ tells the story of two contrasting personalities who develop an affinity while traveling together through the heartland of north India. Ali makes sure that something new happens in every reel of the film to keep you glued to the screen. However, the film is not without some low points.
But first, the story: Aditya ( Shahid Kapur ), a young industrialist, is dejected with life because his girlfriend left him for another man. Aimlessly he boards a train on which he meets Geet ( Kareena Kapoor ) a chatterbox who annoys him with her constant talking. So much so that he gets down the train to avoid her. She follows him there too. And the two end up missing the train.
Stranded on a platform, Geet, the sikhni, tells Aditya in clear words that he would now have to get her to her home in Bhatinda. Thereafter begins the journey of Aditya and Geet through the scenic villages and towns of North India. And once they reach Bhatinda, Geet’s family thinks Aditya is her boyfriend. Deep within, Aditya too begins to like Geet.
But Geet has other plans. She has a boyfriend with whom she plans to elope. Aditya accompanies her to Manali from where he heads back to revive his business back in Mumbai.
Is it the final goodbye for Geet and Aditya or are they destined to meet again? The end is predictable, but the way Imtiaz Ali brings the story to its obvious conclusion makes ‘Jab We Met’ worth a watch.
Though a predictable love story, ‘Jab We Met’ is different because most of it is set outdoors. The romantic moments between Shahid and Kareena tug a string at your heart. Complementing the mush is the lighthearted humour that the film has in ample doses. If anything was left, the film’s music completes the delectable cocktail.
There can be no two opinions that Shahid and Kareena are the driving forces of ‘Jab We Met’. Shahid’s performance is composed and restrained. He brings about a gradual transformation in his character, as his journey with Kareena gets closer to destination.
On the other hand, Kareena is absolutely uninhibited. With the exception of a few scenes when she goes over the top, Kareena plays her role with conviction and credibility. She does manage to sound and look like a sikhni from Bhatinda.
In marginal roles, Dara Singh and Pawan Malhotra are good.
To sum it up, ‘Jab We Met’ is not a path-breaking film. But it is a fairly enjoyable entertainer with a dash of drama in the second half. In fact, for a few reels in the second half, the movie loses its momentum.
What makes ‘Jab We Met’ watchable is the chemistry between Shahid and Kareena. It is ironic that they no longer share the same chemistry in real life.
Rating: **1/2

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